Emily Swallow
Swallow's Broadway debut came in High Fidelity. There, she performed in a wide selection of plays, such as King Lear, The Taming of the Shrew at the Guthrie Theater; Much Ado About Nothing for Shakespeare in the Park. In addition was the off Broadway shows Romantic Poetry & Measure for Pleasure were given their world premieres. Swallow debuted in film as a playwright for the military in The Lucky Ones. Swallow was a co-star with Mark Rylance at the Guthrie Theatre in Louis Jenkins' play Nice Fish. She also starred for Donald Margulies' play The Country House which was staged at Los Angeles' Geffen Playhouse. Also, she starred in Manhattan Theater Club in John Patrick Shanley's production of the musical Romantic Poetry, which was the first time it was performed in the world. In 2010, she received the Falstaff Award, which is awarded to the actress who performs the most in a play. The performance she gave in The Taming of the Shrew as Kate won her the award. Swallow as well as Jac huberman appeared in a Jac N Swallow stage show in New York, at both the Laurie Beeckman Theater & Joe's Pub, on December 4, 2012. The comic adventures of this duo are the focus on the stage show. They have to face a range of life challenges, all without a shred of dignity. The characters are currently being made into a series for television. She worked along with Mark Rylance, poet Louis Jenkins and Guthrie Theater. Guthrie Theater on the premiere of Nice Fish. She was cast as a character in Ayad Akhtar's Disgraced, produced that was produced by the Center Theatre Group. Swallow was first seen on television with Guiding Light. Her other characters are Southland. The Good Wife. NCIS. Flight of the Conchords. Medium. As series regular the character Dr. Michelle Robidaux in TNT's medical drama, Monday Mornings[2]. 1] She played a starring role in The Mentalist as FBI agent Kim Fischer. The 11th season of Supernatural which aired in 2015, she was chosen to play Amara - "the Darkness". The character will play the Armorer as of 2019 as part of The Mandalorian, a Star Wars television series. Since the traditionalists don't remove their helmets their faces are not seen. The character has been increasingly observed in Season 3 as the story line focuses more on the Mandalorian individuals and not only the Mandalorian
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